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This is great for him—but terrible for the book business. You can’t pay enormous salaries like this by publishing smart and bold midlist books. You’re not allowed to take risks. So editors have to reach for surefire books—celebrity memoirs filled with juicy gossip, formula novels with the potential for a Netflix adaptation, self-help books from Instagram influencers, and other dumbed down mass market fare.
，更多细节参见新收录的资料
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So the final asset pipeline became:
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